{"id":967,"date":"2025-02-20T15:25:19","date_gmt":"2025-02-20T18:25:19","guid":{"rendered":"https:\/\/labator.eba.ufrj.br\/?p=967"},"modified":"2025-03-07T17:12:45","modified_gmt":"2025-03-07T20:12:45","slug":"sperat-infernos-3","status":"publish","type":"post","link":"https:\/\/labator.eba.ufrj.br\/?p=967","title":{"rendered":"SPERAT INFERNOS #3"},"content":{"rendered":"\t\t
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SPERAT INFESTIS#3: INFERNOS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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O Evento de Extens\u00e3o SPERAT INFESTIS#3: INFERNOS se vincula ao Projeto de Pesquisa <\/span>Strindberg – os Segredos da Tribo<\/b>, desenvolvido pelo LABAtor \u2013 Laborat\u00f3rio de Processos do Ator e da Cena (EBA\/UFRJ). SPERAT INFESTIS#3: INFERNOS aconteceu no per\u00edodo de 04 a 22\/11\/2024, no Centro Municipal de Arte H\u00e9lio Oiticica (CMAHO). <\/span><\/p>\n

O Evento englobou as seguintes atividades:<\/b> <\/span><\/p>\n

1<\/span>)<\/b> Semin\u00e1rio dedicado ao tema Inferno, voltado para a discuss\u00e3o do tema na obra do dramaturgo sueco August Strindberg (1849-1912) e de outros autores, a saber: Dante, Pasolini, Cocteau e Ra\u00fal Zurita; <\/span><\/p>\n

2<\/span>)<\/b> Oficina de cenografia: Espa\u00e7os de Sonhos\/Pesadelos; <\/span><\/p>\n

3<\/span>)<\/b> Exibi\u00e7\u00e3o dos filmes <\/span>Edvard Munch<\/b> (1974) e <\/span>The Freethinker<\/b> (1994), document\u00e1rios de Peter Watkins; e <\/span><\/p>\n

4<\/span>)<\/b> Leitura perform\u00e1tica de <\/span>Sonata Fantasma<\/b>, com design sonoro ao vivo. <\/span><\/p>

   Strindberg teve uma rica produ\u00e7\u00e3o dramat\u00fargica na qual se destacam pe\u00e7as como: <\/span>O Pai<\/b> (1887), <\/span>Senhorita J\u00falia <\/b>(1888), <\/span>Rumo a Damasco<\/b> (1898), <\/span>O sonho<\/b> (1901) e <\/span>Sonata Fantasma<\/b> (1907), pe\u00e7as fundamentais para o teatro moderno no Ocidente. O autor tamb\u00e9m tem escritos autobiogr\u00e1ficos, ensaios e narrativas. Um de seus livros mais conhecidos \u00e9 o relato autobiogr\u00e1fico, <\/span>Inferno<\/b>, escrito entre 1896 e 1897, quando decide abandonar o teatro e a literatura para se dedicar \u00e0s ci\u00eancias naturais e \u00e0 alquimia. O Evento Sperat Infestis#3 teve como objetivo apresentar e debater o universo po\u00e9tico de Strindberg a partir do tema inferno, e tra\u00e7ar rela\u00e7\u00f5es entre o teatro, outras artes, pol\u00edtica e sociedade. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Semin\u00e1rio Infernos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Semin\u00e1rio Infernos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Oficina de cenografia<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Mostra de filmes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Mostra de filmes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sonata Fantasma<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Leitura Perform\u00e1tica da pe\u00e7a teatral “Sonata Fantasma”<\/strong> (1907), de August Strindberg, com m\u00fasica original de Alexandre Fenerich, Design Sonoro ao vivo de Arthur Murtinho, e Instala\u00e7\u00e3o de Luz de Adriana Milhomem. “Sonata Fantasma” \u00e9 uma das pe\u00e7as que Strindberg escreveu para o seu Intima Teatern (Teatro \u00cdntimo), fundado no ano de 1907, em Estocolmo, Su\u00e9cia. Com Dire\u00e7\u00e3o Art\u00edstica de Larissa Elias e Vanessa T. de Oliveira, a Leitura contou com a participa\u00e7\u00e3o dos atores: Danrlei Azevedo, Julia Limp, Larissa Elias, M\u00e1rcio Freitas, Mar\u00edlia Guimar\u00e3es-Martins, Sergio Almeida, Susana Fuentes, Wellington J\u00fanior.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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SPERAT INFESTIS#3: INFERNOS O Evento de Extens\u00e3o SPERAT INFESTIS#3: INFERNOS se vincula ao Projeto de Pesquisa Strindberg – os Segredos…<\/p>\n","protected":false},"author":1,"featured_media":852,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[6],"tags":[],"class_list":["post-967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projeto"],"_links":{"self":[{"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=\/wp\/v2\/posts\/967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=967"}],"version-history":[{"count":19,"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=\/wp\/v2\/posts\/967\/revisions"}],"predecessor-version":[{"id":1022,"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=\/wp\/v2\/posts\/967\/revisions\/1022"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=\/wp\/v2\/media\/852"}],"wp:attachment":[{"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/labator.eba.ufrj.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}